The CRLS theater department has started the year off strong, presenting its highly anticipated fall musical Head over Heels during the first two weekends of December. It marks a slight change from previous CRLS musical productions as a jukebox musical full of classic 80’s hits and dances, but it maintains the traditional two-act structure.
The story follows the Kingdom of Arcadia’s royal family, headed by King Basilius (Nicolas Wayland ’25) and Queen Gynecia (Maisy Branch ’24), parents to the adored and highly sought-after princess Pamela (Penny Housh ’25) and the “plain” but gentle Philoclea (Lucca Olivet
’25). Philoclea finds herself unable to be with her lover, shepherd Mucedorus (Kai Berelowitch ’25), while Pamela spends much of the first act quipping with her attendant Mopsa (Leila Nur ’26). Arcadia itself is put in jeopardy when Basilius and his viceroy Dametus (Max Leiserson ’26) visit the Oracle Pythio (Jax Sorrell ’27), whose prophecies for Arcadia spell disaster if they are to come true. In an attempt to cheat one of the prophecies, which warns of another king replacing him, Basilius takes his family on the road to kill the rival king, save Arcadia, and keep his crown. In doing so, he deceives his family, who find their own fates coming to fruition along the way.
Head over Heels is as hilarious as it is uplifting. Watching the show, it is rare that more than a few minutes go by without a witty remark from the many characters and ensuing laughter from the audience, providing for a memorable show. Lucca Olivet ’25 told the Register Forum, “My favorite part of being in Head over Heels was how close the cast and company has become throughout the process and working with such talented people.” And indeed, the cast had great chemistry, putting on a uniquely hilarious and comedic show.
The Old English dialogue proves not to be a barrier to understanding the production, as can sometimes be the case. Its overall message about unconditional love and acceptance can be felt throughout the show; Penny Housh ’25 tells the Register Forum, “I think Head over Heels is such an amazing story to perform, especially because it tells a queer-centric story. I loved being a part of a production that represented all different kinds of love, and I think it was really special that we had such a show here at CRLS.”
The production is also technically ambitious, with a gigantic snake hanging from above the stage, giant waves filled with mermaids, and creative uses of lighting and shadows. The costuming remains a highlight of the show, bringing to life the joy and energy of the show as always.
Head over Heels is sure to be just one of many achievements of this year’s CRLS theater department, but few will match the level of comedy and message of love the production has given us this fall.
This article also appears in our December 2023 print edition.
