Emilia Ferreira

Can a Blockbuster Stop the Fall of Hollywood?

Emilia Ferreira, Arts & Entertainment Editor
October 23, 2023

Why Do We Still Care About the Grammys?

Emilia Ferreira, Contributing Writer
May 3, 2023

CRLS Needs to Address The Pandemic Learning Gap

Emilia Ferreira, Contributing Writer
February 12, 2023

Modern Dance Company Puts on a Stellar Show

Emilia Ferreira, Contributing Writer
February 12, 2023

Jack Antonoff and Music Production in Pop

Emilia Ferreira, Contributing Writer
January 23, 2023

The Menu is a Delectable Class Commentary

Emilia Ferreira and Kiri-Anna Kingsbury Lee
January 22, 2023

Glass Onion is a Stunning Mystery of Many Layers

Emilia Ferreira and Rufus Helmreich
January 16, 2023

Peppermint Bark

Emilia Ferreira and Kiri-Anna Kingsbury Lee
January 15, 2023

Brazil Votes Lula to Another Presidential Term

Emilia Ferreira, Contributing Writer
December 8, 2022

Peppermint Meringue Cookies

Emilia Ferreira and Kiri-Anna Kingsbury Lee
December 6, 2022

Amsterdam: Star-Studded Whodunnit Fails to Deliver

Emilia Ferreira and Kiri-Anna Kingsbury-Lee
December 6, 2022

Meet Harvard Square’s Free Advisor: George Vaill

Elaine Wen and Emilia Ferreira
October 6, 2022

[Photo] Checking in on the Level Up Program

October 6, 2022

“Laurel Hell” and Mitski’s Triumphant Return to Music

Amy Zhou and Emilia Ferreira
April 8, 2022

“In the Dream House” Is an Essential Piece of Queer Literature

Emilia Ferreira and Amy Zhou
December 24, 2021

Lil Nas X’s MONTERO: How Music Videos Tell a Story of Success

Emilia Ferreira and Lily Grodzins
October 30, 2021

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