If you have come here looking for a new summer album, you have come to the right place. Malcolm Todd’s self-titled album is an emotional rollercoaster full of catchy tunes and heartfelt lyricism crafted by a rising talent in the indie music scene. This album is full of electric pop elements and calmer alternative R&B beats inspired by artists such as Dominic Fike and Steve Lacy. Every song is catchy—and I mean every song.
Todd brings the heat on this 37 minute, fourteen track album that features two interludes, “I Do” and “Good Job Todd,” which are both upbeat and cheery, telling us a story of love and persistence. Todd takes an extremely personal approach to this album which can be seen throughout its vibrant tracklist. In one of the calmer melodies on the album, we hear Todd open up to his audience; the opening song, “Harry Styles,” discusses the heavy topic of not feeling good enough. Todd expresses that he will be “left on the shelf” if he doesn’t perform to people’s standards. While on the shorter end of the spectrum, “Harry Styles” perfectly sets the tone for the rest of the album. Todd hits hard on “Florence” and “I’ll Come Back For You,” digging deep into the heartbreak anthem vibe, sounding perfect for the blooming spring and summer.
Already his largest song, Todd’s lead single “Chest Pain” has taken social media by storm, with its catchy chorus, electric melody, and deep personal lyrics that pierce the soul. “Bleed” featuring Omar Apollo follows suit with its vibrant sound, merging Todd’s electric production with Apollo’s heartfelt songwriting in this electrifying earworm. And of course, what would an indie album be without a couple love songs. “Cheer Me On,” “Walk to Class,” follow suit to “Bleed,” both heartfelt and catchy, with rifts that will make you scream along to the lyrics.
One of my favorites, “Concrete,” has been playing in my head since its release. Todd dropped an extremely comedic music video on YouTube for this song, in it Todd acts as both the main character and love interest, directing it along with his sister. The eighth track, “Lying,” features a familiar sound, and a fun instrumental. On the song “Who’s the Fool,” we see Todd’s production shine in the chorus while he tells the story of how he came to music. “Doll” is also a fun little track where Todd plays with his words in a memorable tune.
Malcolm Todd’s self-titled album is a wonderful, eclectic mix of alternative R&B and the rising indie genre that will entertain no matter the time of year. This album is full of ear worms and bangers, and is definitely worth checking out. No matter what type of music you normally listen to, Malcolm Todd is worth the while.
This article also appears in our April 2025 print edition.
